In fact, he told A.i.A. in an online interview that Duchamp’s urinal is influential mainly because it “changes the idea of sculpture from that which is on a pedestal to that which is in a gravity field, an entropy field, a breakdown field, some sort of basin.”

 

The concept of Anarchitecture—the proposition of using architecture against itself in order to wildly expand its methodologies and influence—would provide a framework for Fend’s wielding of the architectural language in terms of both aesthetics and megastructural application.