The Bacon triptych at the Tate - I can remember trying to move around to avoid the glare from the glass so I could see the painting itself.  

I'm trying to get a similar look to the surface I am preparing now, Super-high-gloss reflective lacquer finish- so that the surface itself is obscured by the reflection of the viewer.  I'm also testing how some subtle gradients in the colour can affect how the surface is read.