In autumn 2014, American artist Trisha Donnelly staged an exhibition at the Serpentine Gallery. The focus was a number of new video works, created by Donnelly for the exhibition. The exhibition had many states, shifting with the time, light and nature of each day.
A series of Saturday Talks took place during the exhibition, including talks from Emma Enderby and Amira Gad.
The Serpentine Galleries autumn programme, including Cerith Wyn Evans exhibition, Bertrand Lavier fountain and Extinction Marathon, were sponsored by Bloomberg Philanthropies, a leading sponsor across the entire autumn season at the Serpentine.
In 2012, Donnelly was the tenth artist to curate Artist's Choice, an exhibition curated by artists of artworks from the permanent collection of the Museum of Modern Art.[7] In the exhibition, "she was after 'striking voices'" she couldn't let go of, "'paths of encounters and building poetic structures... images that go beyond images themselves."'[8] The exhibition included works by artists such as Eliot Porter, Joe Goode, Gertrude Kasebier, Wendy Carlos, and John Whitney.[9] The audio guide provided for the show was art historian Robert Rosenblum discussing MoMA's 1989 Picasso retrospective. Donnelly explained, "The feeling when listening to these audio guides was, this was a great work of art... or work of whatever, work of another entity, or another state and dimension, existing... [They] are so beautiful... It's like the Taj Mahal of languages, building it himself. By the end, I don't need the exhibition at all. I'm awash in this ocean of his funny, brilliant voice."[9] wiki
