30.3.15
29.3.15
The orchestral section was originally played on synthesizers, but as DJ Mushroom said, "The synth sounded too tacky, so we thought we may as well use real strings. The orchestra definitely changed the feeling of the song, making it heavier and deeper with more feeling. They were really good [but] it took them about five takes to do it because they were slightly behind the beat."[6] It was Dollar's idea to use a full orchestra, and he contacted British music producer Wil Malone who arranged and conducted the song's string section which was recorded in Abbey Road Studios, London.[7] However, as Mushroom later admitted, the group had not taken the cost of the orchestra into account when planning the budget for the recording of Blue Lines, and were forced to sell their car (a Mitsubishi Shogun) in order to pay for the strings.[6]
28.3.15
25.3.15
10.3.15
Another time, there was a live hog in
the pit. It hadn’t done anything wrong, wasn’t even running
around the pit. It was just alive. I took a three-foot chunk of
pipe—two-inch diameter pipe—and I literally beat that hog to
death. Couldn’t have been a two-inch piece of solid bone left in
its head. . . . It was like I started hitting the hog and I couldn’t
stop. And when I finally did stop, I’d expended all this energy and
frustration, and I’m thinking, what in God’s sweet name did I do?
. . . People go into Morrell expecting respect and good working
conditions. They come out with carpal tunnel, tendonitis, alcoholism,
you name it, because they’re under incredible pressure and they’re
expected to perform under intolerable conditions. Or they develop a
sadistic sense of reality.
7.3.15
6.3.15
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